Stalker 1979 Analysis -The innate futility in writing about Tarkovsky’s “Zone”
Why would an analysis of the Russian filmmaker Andrei Tarkovsky's "Stalker(1979)" be an attempt in futility, observing Tarkovsky's own views?
Why would an analysis of the Russian filmmaker Andrei Tarkovsky's "Stalker(1979)" be an attempt in futility, observing Tarkovsky's own views?